Enemigos Fueron Todos: Vigilancia y Persecución Política en el México Posrevoluc Valdez César Bonilla Artigas Editores |
Historia Imperial del Santo Oficio (Siglos XV-Xix) Fernando Ciaramitaro, Miguel Rodrigues Lourenço Bonilla Artigas Editores |
Comerciantes, Militares y Sacerdotes Vascos en el Mundo Hispánico del Siglo XVII Torales Pacheco, María Cristina Bonilla Artigas Editores |
El Crisol y la Flama: Grupos Sociales y Cofradías en Pátzcuaro (Siglos XVI y XVI Flores García, Laura Gemma Bonilla Artigas Editores |
La Caída del Imperio Otomano y la Creación de Medio Oriente Carlos Martínez Assad Bonilla Artigas Editores |
Exilio Español y Su Vida Cotidiana en México, El. Serrano Migallón, Fernando; Woldenberg José Bonilla Artigas Editores |
La Corte de Isabel II y la Revoluciónde 1854 en Madrid Madame Calderón de la Barca; Raúl Figueroa Esquer Bonilla Artigas Editores |
La Catedral de Puebla. Historia de Proceso Constructivo Molero Sañudo, Antonio Pedro Benemerita Universidad Autonoma de Puebla |
Título: Hanne Darboven. Cultural History 1880-1983 | ||
Autor: Adler Dan | Precio: $224.00 | |
Editorial: Afterall Books | Año: 2009 | |
Tema: Historia, Analisis, Estudio | Edición: 1ª | |
Sinopsis | ISBN: 9781846380501 | |
Hanne Darboven's Kulturgeschichte 1880-1983 (Cultural History 1880-1983) (1980-1983) is an overwhelming and encyclopedic installation consisting of 1,590 works on paper and 19 sculptural objects. The work weaves together cultural, social, and historical references with autobiographical documents, postcards, pinups of film and rock stars, documentary references to the first and second world wars, geometric diagrams for textile weaving, a sampling of New York doorways, illustrated covers from news magazines, the contents of an exhibition catalogue devoted to postwar European and American art, a kitschy literary calendar, and extracts from some of Darboven's earlier works. The panels are sequenced and grouped, with the groups then juxtaposed in arrangements that often seem little more than chance associations.
In his illustrated walk through Darboven's massive work, Dan Adler explores its visual and aesthetic complexities and considers the work in relation to various projects undertaken by European artists in the 1960s_including Gerhard Richter's ongoing Atlas. The work is now permanently installed at Dia: Beacon. |