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Grupos, Movimientos, Tendencias del Arte Contemporáneo Desde 1945 Ferrer, Mathilde (Dir) La Marca Editora |
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Arquitectura de Tierra en América Latina Correia, Mariana / Neves, Célia / Guerrero, Luis Fernando (E Argumentum |
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Lecciones: Teodoro González de León. Escritos Reunidos 1966-2016 González de León, Teodoro Colegio Nacional |
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Modern Architecture In Latin America: Art, Technology, And Utopia Carranza, Luis E. / Luiz Lara, Fernando University Of Texas Press |
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Architecture And Cities Of Northern México From Independence To The Present, The Burian, Edward University Of Texas Press |
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Título: Retracing The Expanded Field: Encounters Between Art And Architecture | |
Autor: Spyros Papapetros | Precio: Desconocido | |
Editorial: The Mit Press | Año: 2014 | |
Tema: Arte Contemporaneo, Arquitectura, Arte Moderno | Edición: 1ª | |
Sinopsis | ISBN: 9780262027595 | |
Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible "synthesis of the arts," their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art's transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, "Sculpture in the Expanded Field," that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. Krauss tried to clarify what these art practices were, what they were not, and what they could become if logically combined. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss's hugely influential text and maps the ensuing interactions between art and architecture. Responding to Krauss and revisiting the milieu from which her text emerged, artists, architects, and art historians of different generations offer their perspectives on the legacy of "Sculpture in the Expanded Field." Krauss herself takes part in a roundtable discussion (moderated by Hal Foster). A selection of historical documents, including Krauss's essay, presented as it appeared in October, accompany the main text. Neither eulogy nor hagiography, Retracing the Expanded Field documents the groundbreaking nature of Krauss's authoritative text and reveals the complex interchanges between art and architecture that increasingly shape both fields. |