Problemas de Cabecera: Pensados Durante Horas de Vigilia Carroll, Lewis (Charles L. Dodgson) Bonilla Artigas Editores |
Cuadratura del Círculo Filosófico, La: Hegel, Marx, y los Marxismos Hoyo Arana, José Félix Bonilla Artigas Editores |
Estudios de las Mujeres Hacia el Espacio Comnún Europeo, Los Arriaga Flores, Mercedes / Estévez Saá, José / López Enamora Arcibel Editores |
Genero, Acoso y Salud. Violencia Contra las Mujeres Gómez Terrón, Rafaela / Guerra García, Mónica / Rodíiguez Sa Arcibel Editores |
Entendiendo la Figura de la Académia Mexicana: 4 Relatos de Éxitos y Contencione Castañeda-Mayo, Judith Arcibel Editores |
Título: Gabriel Garcia Marquez And The Powers Of Fiction | ||
Autor: Ortega Julio | Precio: $220.00 | |
Editorial: University Of Texas Press | Año: 2010 | |
Tema: Ficcion, Estudio, Obras | Edición: 1ª | |
Sinopsis | ISBN: 9780292723702 | |
Around 1542, descendants of the Aztec rulers of Mexico created accounts of the pre-Hispanic history of the city of Tetzcoco, Mexico, one of the imperial capitals of the Aztec Empire. Painted in iconic script ("picture writing"), the Codex Xolotl, the Quinatzin Map, and the Tlohtzin Map appear to retain and emphasize both pre-Hispanic content and also pre-Hispanic form, despite being produced almost a generation after the Aztecs surrendered to Hernán Cortés in 1521. Yet, as this pioneering study makes plain, the reality is far more complex.
Eduardo de J. Douglas offers a detailed critical analysis and historical contextualization of the manuscripts to argue that colonial economic, political, and social concerns affected both the content of the three Tetzcocan pictorial histories and their archaizing pictorial form. As documents composed by indigenous people to assert their standing as legitimate heirs of the Aztec rulers as well as loyal subjects of the Spanish Crown and good Catholics, the Tetzcocan manuscripts qualify as subtle yet shrewd negotiations between indigenous and Spanish systems of signification and between indigenous and Spanish concepts of real property and political rights. By reading the Tetzcocan manuscripts as calculated responses to the changes and challenges posed by Spanish colonization and Christian evangelization, Douglas's study significantly contributes to and expands upon the scholarship on central Mexican manuscript painting and recent critical investigations of art and political ideology in colonial Latin America. |